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November, 2011 Monthly archive

Above: An iconic scene from John Carpenter’s They Live – starting at 1:30.

This clip from John Carpenter’s film They Live can teach us a great deal about the way that ideology works today.

What we should immediately notice is how there are two levels of messaging at play: the explicit ‘normal’ world and the implicit ‘hidden’ world, which is only exposed when the actor “Rowdy” Roddy Piper puts on the sunglasses. This is what allows him to see the world underneath: all visual media content (billboards, magazines, television, etc.) are reduced to propagandas like “OBEY,” “MARRY AND REPRODUCE,” “CONSUME,” and so on. Along with this, certain people are revealed to be weird aliens while satellite dishes broadcast strange signals from the top of every set of streetlights. Through this “beautifully naïve mise-en-scene,” as Slavoj Zizek describes it, “we learn to see dictatorship IN democracy.”

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Above: Protesters barricade the Occupy Toronto Library yurt, protecting the books from potential destruction during an imminent police raid. More photos after the break.

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Mainstream media pundits have charged that the protesters of the Occupy movement don’t know what they’re protesting against. On the contrary, anyone who attends an Occupy protest can see a multitude of messages represented, often condemning the disproportionate influence of finance capital on our political systems, corporate greed, environmental degradation, human rights violations (often for private profits), or income inequality.

We live in an era where news media investigation stops short of reading protest placards. To our post-literate news, journalism means pointing out that protesters have “signs” but refusing to read them.

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